Last time I talked about some of the responsibilities the members of a critique group or writers’ workshop had to the writer whose work they were critiquing. This time, I’d like to address the responsibilities of the writer, which go … Continue reading
There are two parties involved in critique: the critiquer and the critiquee. Okay, I just made those words up. So, let’s say there is the giver of the critique and the recipient of the critique. This is true whether the parties are … Continue reading
We’re mostly unpacked after moving to the new house, wonderful, comfortable, large enough to hold the above hamster wheel desk. The old house has a buyer, November settled down on us with sunny and crisp cold days and colder nights … Continue reading
“How do you find time to write? “When do you write? Morning? Evening? Middle of the night?” “Do you have a goal of so many words per day?” “Does it work when you force yourself to sit in the writing … Continue reading
It was January of 1987 when I decided to make professional publication my goal. I’d completed one novel, which still has never sold (and shouldn’t ever see the light of day,) and on that dreary winter afternoon I began another. … Continue reading
Not really Schrödinger’s cat, but she is in a box. I’ve just come back from an incredible weekend at the Schrödinger Sessions: Science for Science Fiction, at the Joint Quantum Institute at the University of Maryland, near Washington, D.C. The … Continue reading
by Sherwood Smith That was the provocative topic for a panel recently. The description went like this: Many consider critiques from their writers’ group a valuable part of their submission process. Others tend to believe that writers’ groups tend to … Continue reading
About six years ago, I would have said you couldn’t teach anyone to write, in the creative sense. Then chance landed me with the second-year Creative Writing subject in my University’s then English department. After teaching that twice, and once … Continue reading
