CAFE READS: Marian Halcombe, by Brenda Clough

Marian Halcombe: A Most Dangerous Woman picks up where Wilkie Collins’ famous The Woman in White leaves off. So a few words about The Woman in White. It first appeared in Dickens’ magazine All the Year Round from 1859-60, and is … Continue reading

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New Writers Ask: Why Does Point of View Matter?
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A frequently asked question, especially at writers’ conferences and conventions is: What is point of view, why does it matter, and how do I choose which one to use? Okay, I guess that’s three questions. I shall attempt to answer them. … Continue reading

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Hip new narrative strategies are . . . not so new

These days there has been a lot of talk about daring narrative voices and experimental playing with fiction and truth (as in real life experience, to skirt around the gigantic elephant of what constitutes “truth”), and it’s great that more … Continue reading

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CAFE READS: Win, Lose, Draw Cybers Wild Card 2, by Sara Stamey

The thing that stands out about Sara Stamey’s prose, for me, is how taut it is, while managing to convey an image-rich atmosphere while keeping the pace headlong. All her books are like that—running action and image in tight-wired tandem, … Continue reading

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