Don’t Crush That Writer (Hand Me the Duct Tape) – Three
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Last time I talked about some of the responsibilities the members of a critique group or writers’ workshop had to the writer whose work they were critiquing. This time, I’d like to address the responsibilities of the writer, which go … Continue reading

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Don’t Crush That Writer (Hand Me the Duct Tape) – Two
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There are two parties involved in critique: the critiquer and the critiquee. Okay, I just made those words up. So, let’s say there is the giver of the critique and the recipient of the critique. This is true whether the parties are … Continue reading

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Don’t Crush That Writer! (Hand Me the Duct Tape) – One
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At a recent science fiction convention, I was on a panel about critique groups. We started by sharing horror stories. I had the singular honor of having the most horrific in the room. I once mentored a group of writers … Continue reading

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The Kool-aid Writers Drink, Part 1

[Vaccine update: Fully vaccinated!] Rather than speculate on upcoming travel plans, like wondering what it will be like to eat at a Palm Springs restaurant—outdoor dining? What steps are involved for eating while masked? How to assess for ventilation?—I am … Continue reading

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New Writers Ask: Can’t Craft Be Learned?
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I’ve had a number of writers I’ve mentored or critiqued ask me some form of this question.  Sometimes it’s a plaintive wail expressing the writer’s earnest hope that they can overcome their ”issues.”  Sometimes it’s a defiant roar: “Craft? Bah! … Continue reading

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CSI (Your City Here) vs Real Forensics
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I did something really cool a while back. I went to a seminar sponsored by  Mystery Writers of America (MWA), an organization I joined after the publication of my first Gina Miyoko Mystery, THE ANTIQUITIES HUNTER (from Pegasus Crime). The seminar … Continue reading

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