Frozen: A Very Short Review

By Brenda W. Clough

Frozen I believe I can remember seeing my first Walt Disney animated movie. It was Sleeping Beauty. I see from IMDB that this came out in 1959, so that would be just about right. If anyone wants a research project to apply to a Ph.D. a century from now, it probably would be profitable to write about how animation and comics have affected me. That movie is seminal in my development. And by extension all Disney movies are, as well.

So it was annoying when the great studio fell onto hard times, and began putting out lesser works that shall not be named here. Amalgamating with Pixar seems to have put life in the old gray horse, however, and no better example could be found than Frozen, probably still in theaters in your area.

This is a return to Disney’s great years. Princesses in peril, a thrilling and truly gloriously rendered setting, a couple of grand production numbers, and a heart of gold.  Icy gold, to be sure, but gold. Impulsive Princess Anna and her older sister the troubled Princess Elsa are at the heart of this movie. Sororal love, rather that the search for one’s Prince, is the emotional engine of this movie, a very welcome development. I also note a quite modern emphasis on not falling in love at first sight and immediately running off with the guy. Instead the heroine is firmly encouraged to get to know her intended and wisely assess his character, a theme that also appears in Enchanted. A sad necessity of our wary and litigious modern age, or the tinkle of a golden nugget of common sense dropping into the vacuous vessel of popular consciousness? We could discuss this.

The visuals are unbelievably gorgeous. CGI has made enormous strides in just this decade. Go and look closely at the rendering of transparent ice and glass, the flurry of snow, the flow of fabric and the texture on the horns of the reindeer. It is magnificent. And the beauty and glory of the music simply cries out for a transfer to the Broadway stage. I cannot imagine how they could do it (surely this is a show foreordained for Disney on Ice instead?) but if they could stage Beauty & the Beast then it certainly can be done. Idina Menzel sings like an angel, in a production number clearly written for her voice.

And! The studio is clinging stoutly to the tradition of a short film preceding the main feature. And the opener for Frozen is a honey. The ancient and original pencil-limbed Mickey of my girlhood is back, breaking the fourth wall and having a marvelous time. It’s worth the price of admission just to see this one. When you have this deep a catalog, there’s no point in being shy. I noted the upcoming Malificent, due out in 2014. With Angelina Jolie in the title role? OMG. I am a girl again.

My newest novel Speak to Our Desires is out exclusively from Book View Café.

I also have stories in Book View Café’s two steampunk anthologies, The Shadow Conspiracy and The Shadow Conspiracy II, as well as in BVC’s many other anthologies, including our latest, Beyond Grimm.



About Brenda Clough

Brenda W. Clough spent much of her childhood overseas, courtesy of the U.S. government. Her first fantasy novel, The Crystal Crown, was published by DAW in 1984. She has also written The Dragon of Mishbil (1985), The Realm Beneath (1986), and The Name of the Sun (1988). Her children’s novel, An Impossumble Summer (1992), is set in her own house in Virginia, where she lives in a cottage at the edge of a forest. Her novel How Like a God, available from BVC, was published by Tor Books in 1997, and a sequel, Doors of Death and Life, was published in May 2000. Her latest novels from Book View Cafe include Revise the World (2009) and Speak to Our Desires. Her novel A Most Dangerous Woman is being serialized by Serial Box. Her novel The River Twice is newly available from BVC.


Frozen: A Very Short Review — 5 Comments

  1. Kids will love it and the parents will probably enjoy themselves as well. As if their own kids being happy wasn’t enough for a moment of pleasure. Good review Brenda.

    • You would definitely enjoy it, Sherwood. See it, and we can discuss whether it would have been better to title it THE SNOW QUEEN. And we can deconstruct the various male leads.

  2. Hmm. The Hans Christian Andersen fairy tale was about a sister combating the Snow Queen to rescue the brother. So FROZEN is not quite like that. The sisters combat each other (and themselves) and all the male characters are ancillary. But the idea that a piece of magical ice can get into you and destroy you is still there.
    And, a minor cutitude: the cast list. Which includes Prince Hans, Kristoff the ice seller, and Anna the Snow Queen. A little hat tip to the original fabulist there.