A Much-Needed Literary Award

Ursula K. Le Guin -- Photo by Marian Wood KolischI first learned about the Sartre Prize from “NB,” the reliably enjoyable last page of the London Times Literary Supplement, signed by J.C. The fame of the award, named for the writer who refused the Nobel in 1964, is or anyhow should be growing fast. As J.C. wrote in the November 23, 2012 issue, “So great is the status of the Jean-Paul Sartre Prize for Prize Refusal that writers all over Europe and America are turning down awards in the hope of being nominated for a Sartre.” He adds with modest pride, “The Sartre Prize itself has never been refused.”

Newly shortlisted for the Sartre Prize is Lawrence Ferlinghetti, who turned down a 50,000-Euro poetry award offered by the Hungarian division of PEN. The award is funded in part by the repressive Hungarian Government. Ferlinghetti politely suggested that they use the prize money to set up a fund for “the publication of Hungarian authors whose writings support total freedom of speech.”

I couldn’t help thinking how cool it would have been if Mo Yan had used some of his Nobel Prize money to set up a fund for the publication of Chinese authors whose writings support total freedom of speech. But this seems unlikely.

Sartre’s reason for refusal was consistent with his refusal to join the Legion of Honor and other such organizations and characteristic of the gnarly and counter-suggestible Existentialist. He said, “It isn’t the same thing if I sign Jean-Paul Sartre or if I sign Jean-Paul Sartre, Nobel Prize winner. A writer must refuse to let himself be turned into an institution.” He was, of course, already an “institution,” but he valued his personal autonomy. (How he reconciled that value with Maoism is not clear to me.) He didn’t let institutions own him, but he did join uprisings, and was arrested for civil disobedience in the street demos supporting the strikes of May 1968. President De Gaulle quickly pardoned him, with the magnificently Gallic observation that “you don’t arrest Voltaire.”

I wish the Sartre Prize for Prize Refusal could have been called the Boris Pasternak Prize for one of my true heroes. But it wouldn’t be appropriate, since Pasternak didn’t exactly choose to refuse his 1958 Nobel. He had to. If he’d tried to go accept it, the Soviet Government would have promptly, enthusiastically arrested him and sent him to eternal silence in a gulag in Siberia.

I refused a prize once. My reasons were mingier than Sartre’s, though not entirely unrelated. It was in the coldest, insanest days of the Cold War, when even the little planet Esseff was politically divided against itself. My novelette “The Diary of the Rose” was awarded the Nebula Prize by the Science Fiction Writers of America. At about the same time, the same organization deprived the Polish novelist Stanislaw Lem of his honorary membership. There was a sizeable contingent of Cold Warrior members who felt that a man who lived behind the Iron Curtain and was rude about American science fiction must be a Commie rat who had no business in the SFWA. They invoked a technicality to deprive him of his membership and insisted on applying it. Lem was a difficult, arrogant, sometimes insufferable man, but a courageous one and a first-rate author, writing with more independence of mind than would seem possible in Poland under the Soviet regime. I was very angry at the injustice of the crass and petty insult offered him by the SFWA. I dropped my membership, and feeling it would be shameless to accept an award for a story about political intolerance from a group that had just displayed political intolerance, took my entry out of Nebula competition shortly before the winners were to be announced. The SFWA called me to plead with me not to withdraw it, since it had, in fact, won. I couldn’t do that. So — with the perfect irony that awaits anybody who strikes a noble pose on high moral ground — my award went to the runner-up: Isaac Asimov, the old chieftain of the Cold Warriors.

What relates my small refusal to Sartre’s big one is the sense that to accept an award from an institution is to be co-opted by, embodied as, the institution. Sartre refused this on general principle, while I acted in specific protest. But I do have sympathy for his distrust of allowing himself to be identified as something other than himself. He felt that the huge label “Success” that the Nobel sticks on an author’s forehead would, as it were, hide his face. His becoming a “Nobelist” would adulterate his authority as Sartre.

Which is, of course, precisely what the commercial machinery of bestsellerdom and prizedom wants: the name as product. The guaranteed imprint of salable Success. Nobel Prize Winner Soandso. Best-Selling Author Thusandsuch. Thirty Weeks on the New York Times Best Seller List Whozit. Jane D. Wonthepulitzer… John Q. MacArthurgenius….

It isn’t what the people who established the awards want them to do or to mean, but it’s how they’re used. As a way to honor a writer, an award has genuine value, but the use of prizes as a marketing ploy by corporate capitalism, and sometimes as a political gimmick by the awarders, has compromised their value. And the more prestigious and valued the prize the more compromised it is.

Still, I’m glad that José Saramago, a much tougher Marxist nut than Sartre, saw fit not to refuse the Nobel prize. He knew nothing, not even Success, could compromise him, and no institution could turn him into itself. His face was his own face to the end. And despite the committee’s many bizarre selections and omissions, the Nobel Prize for Literature retains considerable value, precisely because it is identified with such writers as Pasternak, or Szymborska, or Saramago. It bears at least a glimmer reflected from their faces.

All the same, I think the Sartre Prize for Prize Refusal should be recognised as a valuable and timely award, and what’s more, one pretty safe to remain untainted by exploitation. I wish somebody really contemptible would award me a prize so I could be in the running for a Sartre.

— UKL

7 January 2013


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About Ursula K. Le Guin

Ursula K. Le Guin is a founding member of Book View Cafe. Her recent books include The Unreal and the Real: Selected Stories and Finding My Elegy: New and Selected Poems: 1960-2010. King Dog: A Screenplay for the Mind's Eye, Music and Poetry of the Kesh, music by Todd Barton, words by Ursula K. Le Guin, an MP3 collection, and “The New Atlantis” are available in the Book View Cafe ebookstore.
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8 Responses to A Much-Needed Literary Award

  1. Sartre already had a huge reputation when he was nominated, making his refusal a powerful statement. A similar action by Saramago would likely have been remarked upon, but it would not have had the same impact. In his case, I think it means more people will pay attention to him, which is valuable.

  2. Yesterday, I was wondering why Rudyard Kipling never received a knighthood, or any other honour from the state. Today, I learned that he was offered a knighthood several times, and also the Poet Laureateship and the Order of Merit, and consistently declined. The feeling seems to be that – despite being such an establishment figure himself – he resisted any suggestion that his work belonged to the establishment. (He did accept the Nobel, though; presumably he felt safe with an award that was so very unBritish.)

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  4. Damigiana says:

    I think such a prize would be perfect for both Alexander Grothendieck, who refused the Crafoord Prize, and Grigory Perelman, who refused both the Fields Medal (mathematics’ Nobel) and $1million Clay prize. Both their names are in history: Grothendieck would be as famous as Einstein if our culture valued mathematics as much as physics.
    PS Thank you, UKL, for acknowledging in your foreword to The Left Hand of Darkness that inspiration can visit the scientist as well as the writer, that it in numbers as well as words.

  5. Tala Cloudwatcher says:

    Dear Ursula LeGuin,

    I have just discovered your Earthsea Quartet. My Beloved has reintroduced me to reading fiction, and your books are wonderful. They are Magical, as so beautifully written. I write spiritual Fiction, which is a new genre but there is so much of the spiritual in your books. I find fiction difficult to read, perhaps because I studied Literature and perhaps because I really don’t gel well with the themes that most people write about. Sartre, gets to the bones of our Ontical questioning and the ennui of existence, but for me you get closer to the essence of existence, beyond the world of the Modern. I think you are the best writer that I have come across. Tala

  6. Arie says:

    Dear Ursula Leguin,

    Thank you for the enlightening blog. I now see these awards in a much different light.

    I have also read the Earthsea books and was so delighted by them. To those who’ve not read them, please, please do so. Books are always better than the movie and the same holds truer than ever with this story.

  7. Sara says:

    http://en.wikipedia.org/wiki/Grigori_Perelman

    Reminds me of the mathematician who turned down a million dollars for solving a hundred-year-old problem. He is somewhat disdainful of the field as a whole; he says (according to wikipedia), “I can’t say I’m outraged. Other people do worse. Of course, there are many mathematicians who are more or less honest. But almost all of them are conformists. They are more or less honest, but they tolerate those who are not honest.”

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